Alla Karl friedrich schinkels Oljemålningar

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96682

Der Rugard auf Rugen

1821(1821) Medium oil on canvas Dimensions 51 X 132 cm cyf

73147

Felsentor

Date 1818 Medium Oil on canvas cyf

25964

Gothic Cathedral by the Waterside (mk45)

c.1813/14 Copy by Wilhelm Ahlborn 1823 Oil on canvas 80x106.5cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz

67728

Gothic Cathedral with Imperial Palace

1815 Oil on canvas 94 x 140 cm

91398

Gothic Church on a Rock by the Sea

1815(1815) Medium oil on canvas Dimensions Height: 72 cm (28.3 in). Width: 98 cm (38.6 in). cjr

39957

In the palace of the Queen of the Night,decor for Mazart-s opera Die Zauberflote

mk155 1815 Aquatint in gray and blue 28.5x40cm

38575

Medieval City on a River

mk138 1815 Oil on canvas 94x140cm

52708

Medieval Town by Water after 1813

Oil on canvas, 94 x 126 cm

38574

Morning

mk138 1813 Oil on canvas 76x102cm

62451

Portrait of the Artist's Daughter, Marie

1816 Black chalk on reddish paper, 533 x 423 mm Staatliche Museen, Berlin Author: SCHINKEL, Karl Friedrich Title: Portrait of the Artist's Daughter, Marie Form: graphics , 1801-1850 , German , portrait

52547

Portrait of the Artist-s Daughter

1816 Black chalk on reddish paper, 533 x 423 mm

25963

Set Design for The Magic Flute:Starry Sky for the Queen of the Night (mk45)

1815 Gouache 46.3x61.6cm Berlin,Kupferstichkabinett,Staatliche Mussen zu Berlin-Preussischer Kulturbesitz

43854

Stage set for Mozart's Magic Flute

463 x 616 mm

62454

Study for a Monument to Queen Louise

1810 Watercolour, 720 x 520 mm Nationalgalerie, Berlin The picture shoes a design by the architect Schinkel for a Gothic mausoleum for the Prussian Queen Luise. This warm-hearted patron of the arts was much mourned, and Schinkel chose the Gothic style both as a patriotic expression, and for its echoes of organic natural forms, hinting at nature's processes of renewal and thus of eternal life. The complex patterns of vaulted arches receding into a light-filled interior evoke the German forests. As things turned out, the grieving king preferred a classical scheme, which still stands in the park at Charlottenburg, and economic conditions after the War of Liberation left Schinkel's grander vision for a vast Gothic cathedral in Berlin unrealized. Author: SCHINKEL, Karl Friedrich Title: Study for a Monument to Queen Louise Form: graphics , 1801-1850 , German , study

43987

The Banks of the Spree near Stralau

1817 Oil on canvas, 36 x 45 cm

75440

The Banks of the Spree near Stralau

1817 Oil on canvas cjr

77326

The Banks of the Spree near Stralau

1817 Oil on canvas cyf

39958

The Garden of Sarastro by Moonlight with Sphinx,decor for Mozart-s opera Die Zauberflote

mk155 1815 Aquatint in gray and blue 28.4x40cm

43997

The Gate in the Rocks

1818 Oil on canvas, 740x 48 cm

71864

The Gate in the Rocks

1818 Oil on canvas

39959

The Portico of the Queen of the Night-s Palace,decor for Mozart-s opera Die Zauberflote

mk155 1815 Sepia aquatint 28x40cm

56184

the temple of lsis and osiris

mk247 c.1816,painted opera set design,staatliche museen,berlin,germany

Karl friedrich schinkel

German Painter and Architect, 1781-1841 German architect and painter. As state architect of Prussia (from 1815), he executed many commissions for Frederick William III and other royal family members. He based his work on the revival of various historical styles. His mausoleum for Queen Louise (1810) and the brick and terra-cotta Werdersche Kirche, Berlin (1821 ?C 30), are among the earliest Gothic Revival designs in Europe. Other works include the Greek Revival Schauspielhaus (1818) and Altes Museum (1822 ?C 30), both in Berlin. In 1830 Schinkel became director of the Prussian Office of Public Works; his work as a city planner resulted in new boulevards and squares in Berlin.

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